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笼中女【影视解说】

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8.0 力荐

类型：未分类地区：美国,菲律宾年份： 1971

状态： HD/2024-10-08

主演： Pam Grier Jennifer Gan Roberta Collins Judith M. Brown

导演： Gerardo de Leon

专辑：笼中女

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剧情简介

关键词：笼中女【影视解说】 endures ten Rudy. boyfriend dealer drug

别名：Women's Penitentiary III,笼中女【影视解说】

《笼中女【影视解说】》拍摄于1971年，所属题材类型：未分类，是一部Pam Grier Jennifer Gan Roberta Collins Judith M. Brown 主演的中国大陆综艺，影片的导演是Gerardo de Leon 。想要看更多的《笼中女【影视解说】》相关影视作品，请关注www.wodenong.com！《笼中女【影视解说】》拍摄于1971年，所属题材类型：未分类，是一部Pam Grier Jennifer Gan Roberta Collins Judith M. Brown 主演的中国大陆综艺，影片的导演是Gerardo de Leon 。。

　Carol Jeffries (known as Jeff) is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ” 　　“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyers big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiPs rival company, Roger Cormans New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages. 　　In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The New Fish (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.

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